She breathes in, eyes scanning, ears listening to the tick tick, fingers splayed, finding their place. She breathes out, the first note is played, her ears recognize it as correct - finally - her fingers move to the next key as if it was a part of her. It is. Her mind is constantly open. Her eyes rapidly scan. Her ears are always moving. Her hands are always flowing. Beauty comes from simple movements of the body. (They are anything but ordinary.)
She winces as she - again - hits a wrong note. She scowls at the page, notes written upon parchment in a time long past, only remembered in novels, paintings, architecture, and song. These are their words, their emotions, their memories, (their lives), written upon a page in a code many see as nonsense. But to the trained eye, these lives are played out on keys, in notes, and in rhythms. The song spins a tale of love, of loss, of joy, of sorrow, of peace, pain, laughter, tears, of a life lived. (Of souls yearning to be free.)
And to the trained storyteller who needs not words, but is sometimes aided by them, these lives need to be told as they were meant to be. Measure by measure, beat by beat, note by note. It must be played to perfection. Even though she is not a perfectionist, nine long (and hard fought) years of playing through these lives has given her that trait. Everything must be as written. The harmony must sound right. And heaven forbid she have to play anything with an oom-pah-pah beat in the harmony. Waltzes were the bane of her existence.
“Ugh!” The lovely, soft, French melody became a glissando as she resisted the urge to slam her hands on the keys, slam the lid shut, tear up the sheet music, and never pick it up again.
Breathe. In. Out. Seventy two beats per minute. Quarter note gets the beat. Three beats per measure. Go slower. In. Out. In. Out.
She placed her hands back onto the ivory. Her fingers went back to that key. Her eyes scanned again. Her ears opened. Remember, it's a story, not just shapes on a page. Emotion is what makes it music. The note came. Then the next. Her hands floated from chord to chord. Her body knew what her mind didn't. It knew where to go. It knew where to play. Her heart was full. The quiet life of the French countryside filled her heart, and the notes on a page became more than sound. They became song. “Ugh! Note after note! Can't I at least get this section right?” One note was wrong, therefore the whole song was wrong.
She wasn't a perfectionist by nature. She really wasn't. But flute, piano, choir, the nine years of emotion she had channeled into her music had sculpted her into one. Instead of dealing with her problems, she played them. She sang them. She sometimes got the notes wrong. Okay, a lot. But those songs were her life too. Not just the dead, (or on a rare occasion, not dead), composer’s life, but hers mixed in with it. Her life. Her anger. Her sadness. Her bitterness. Her joy. Her love. Her sorrow. Her delight. She had to get it right, as it was a part of her that needed to be expressed. Writing wouldn't do it. Dancing wouldn't do it. Acting wouldn't do it. Reading wouldn't do it. Nothing else could even compare to the freedom of expression that music gave her. (I want to be free.)
For that was what it was. Music was freedom of a sort. Not really freedom at all, actually. It was life. It was love, anger, despair, fear, peace, hope, sorrow, joy, any emotion thrown into it became its story. But it was free, beholden only to the musician. In the same fashion, life was free. One may live it in chains, but does not have to buy it. Music didn't take anything from you. It was a shelter from the storm, a way to transcribe emotion in a way other things couldn't. Your emotion. Their emotion. Our emotion. It was uniquely and utterly human. It was worship, at its core, of the one who gave freedom. It celebrated and at times demonized life after man fell. But it is life represented in a way that does not compare to anything but actual life. It was free, it was grace for the weary soul.
Her hands played the opening to a song she hadn't played in a long time. The soft melody flowed out of the part of her that yearned for hope, that yearned for faith, that yearned for grace. “Oh, my soul
Oh, how you worry
Oh, how you're weary, from fearing you lost control
This was the one thing, you didn't see coming
And no one would blame you, though
If you cried in private
If you tried to hide it away, so no one knows
No one will see, if you stop believing.”
My friend thinks I am arrogant. Her parents think I am arrogant. People think I am rude when I try to be kind.
“Oh, my soul
You are not alone
There's a place where fear has to face the God you know
One more day, He will make a way
Let Him show you how, you can lay this down
'Cause you're not alone
It doesn't matter. It shouldn't. If I am not arrogant, then this shouldn’t hurt. But it does. Why?
“Here and now
You can be honest
I won't try to promise that someday it all works out
'Cause this is the valley
And even now, He is breathing on your dry bones
And there will be dancing
There will be beauty where beauty was ash and stone
This much I know
One day. One day I will be free. Free as the notes, free as can be. I’ll live and love.
“Oh, my soul
You are not alone
There's a place where fear has to face the God you know
One more day, He will make a way
Let Him show you how, you can lay this down
But it hurts. It hurts that one of the few things that brings me joy should be banned. I can't speak of it. I can't sing. I can't play. If I do I'm arrogant.
“I'm not strong enough, I can't take anymore
(You can lay it down, you can lay it down)
And my shipwrecked faith will never get me to shore
(You can lay it down, you can lay it down)
Can He find me here
Can He keep me from going under
Oh God! Why must it hurt? Please Lord! Save me from my emotions. Save me from myself. I can't save myself! I can't be free. I long to be free! I long to be free like the notes in a song- beholden only to the musician. God please, set me free!
You already are. I freed you. I gave you your connection with song. I loved you before the foundation of the world. I took the fall for you. I died for you. I have already saved you. You are free.
“Oh, my soul
You're not alone
There's a place where fear has to face the God you know
One more day, He will make a way
Let Him show you how, you can lay this down
'Cause you're not alone
Oh, my soul, you're not alone.”
She had hope, and all the stories of the lives of all the composers to tell. She was not alone.